AI Photo Restoration

Fire-Damaged Ancestor Portraits

Ancestor portraits showing charred and curled edges, a brown scorch gradient, soot in the grain and areas lost entirely have almost always met a house fire, a smoke-filled room or a print that sat too close to a heater. The fire damage sits on top of the image of a great-great-grandparent nobody alive ever met, which is still there underneath.

Nothing in the ancestor portrait is redrawn for effect; the fire damage is treated as a layer to remove and the image of a great-great-grandparent nobody alive ever met as the thing to keep. If the fire-damaged area covered the features, the period clothing and the studio props, the fill is inferred from what survives around it.

Start with Photo Restoration on the fire-damaged ancestor portrait, then chain Face Restoration or the upscaler in the Studio if the ancestor portraits need it. The 4 free credits on a new account cover one Standard run on fire-damaged ancestor portraits.

Fire-Damaged Ancestor Portraits, the original print
Fire-Damaged Ancestor Portraits
OriginalRestored

Original on the left, restored on the right; hover to see more of the repair. Made in the Studio from a scan of the print.

What matters for these photos

  • Fire-damaged ancestor portraits that a copy shop refused to touch
  • A fire-damaged ancestor portrait needed for a memorial, an anniversary or a reprint
  • Charred and curled edges, a brown scorch gradient, soot in the grain and areas lost entirely, spread over a ancestor portrait
  • A fire-damaged ancestor portrait that is the only copy anyone has

Suggested order of passes

  1. 01

    Remove the fire damage

    Photo Restoration targets charred and curled edges, a brown scorch gradient, soot in the grain and areas lost entirely while keeping the features, the period clothing and the studio props in the ancestor portrait untouched.

    Photo Restoration
  2. 02

    Repair the rest of the ancestor portrait

    Tintype & Daguerreotype Restoration addresses the usual wear on ancestor portraits, silver mirroring, a tarnished tintype surface and cabinet-card mounts that have gone brittle, once the fire damage is gone.

    Tintype & Daguerreotype Restoration
  3. 03

    Sharpen the faces of a great-great-grandparent nobody alive ever met

    Recovers the eye and skin detail the fire damage softened; keep it at natural strength on ancestor portraits unless the faces are tiny.

    Face Restoration
  4. 04

    Upscale the ancestor portrait for reprinting

    Adds the pixels a wall print needs after the fire damage repair, with the shape of the fire-damaged ancestor portraits unchanged.

    Image Upscaler

Questions